Showing posts with label Karen Kovacik. Show all posts
Showing posts with label Karen Kovacik. Show all posts

Thursday, September 23, 2010

Metropolis Burning by Karen Kovacik


I love the poems in this book.

In it, Karen Kovacik does almost the impossible. She writes about the tragic 20th-century history of Poland with a firm awareness of what happened in Warsaw and Auschwitz but she also manages to infuse the Polish landscape of lost lives and lost battles with a love for Poland and an excitement in writing about it that is infectious. And in doing so she gets at -- for me -- the very heart of Poland.

Here's one of my favorite poems.

Versions of Irena

for my aunt who grew up near Oświęcim [Auschwitz]

Chronology

When she was five, her great delight was gooseberry juice.
At seven, she experienced the strangeness of books.
When she was ten, her beloved uncle expired at the table.
At eleven, she refused to leave the coal stove in the corner.
By twelve, she had forgotten her uncle’s bloody cough.
At thirteen, she chewed poppy leaves and hallucinated music.
When she turned fourteen, her dress grew tight in the bodice.
At fifteen, she scrubbed the parlor of a short Nazi sergeant,
and the night smelled of cognac and smoke.
At twenty, her mind declared war on her body.
For years, local doctors have regarded her case with gravity.

1943

She could smell them burning, their forgotten
valises piled in a corner of the yard
along with topcoats and short pants, sheet music,
a book of French pictures. She hid the brittle pages
in her coat and learned what a man’s body
could do to a woman’s. Midnight was the hour
of gravity, when the sergeant swung the bell
on his table. He wanted his heart’s delight:
something milky to help him sleep, warmed cognac
to dull his dreams. Each night, she smelled them burning.

1986

Having lost her uterus at 25, she feels the effects
of gravity, her lumpy body without music or delight.
She walks plates of white bacon from the table
to the sink, and rinses the grease in cool suds.
Behind her sits the American niece with a short book
of Polish phrases. The girl hardly ate her supper
and only sweetened her tea with one sugar.
Time to slide the featherbed into the starched cover
and make up the girl’s couch in the corner.
She wishes her niece untroubled dreams:
“What is forgotten,” she says, “will not harm us,
and only sleep can take the war out of night.”

____________________________________________


Karen Kovacik directs the creative writing program at Indiana Univ. Purdue Univ. Indianapolis. She's currently at work on a new collection with the working title Vérité. Her poems and translations have appeared in APR, Boston Review, Crazyhorse, Massachusetts Review, West Branch, and elsewhere.

She is the recipient of a number of awards, including a guest fellowship at the University of Wisconsin’s Institute for Creative Writing and a Fulbright Research Grant to Poland. She is also the author of Beyond the Velvet Curtain, winner of the Stan and Tom Wick Poetry Prize (Kent State University Press, 1999).

Thursday, August 14, 2008

POEMS AND PHOTOS OF POLAND


Recently, poems by Phil Boiarski, Katarzyna Borun-Jagodzinska, Elisabeth Murawski, and Christina Pacosz have appeared in an issue of the photography journal Private devoted to Poland and the vision of Polish photographers. The poems and the photos are stark, whimsical, touching, shocking, and inspiring.

A preview of the journal is available online.

Here are some of the poems:

How We Learned About the War

Elisabeth Murawski




There were the pictures from Life,
the spider in the brain of Harry Truman
saving the boys time by dropping the bomb.

There were the silent films of opened
boxcars in Poland, the sticks and stones
with holes for eyes that went on living.

Parts of V-mail letters arrived, sometimes
after the telegrams lame with regret.
In the windows hung miniature flags,

their stars assigned a simple code
of blue, silver or gold. Gold
was for the unlucky. Only months,

years later would diaries come to light
so that we might hear the boots
that kept the Jews awake, see shadows

burned into a wall. Only then
would we see how the world always knows
what it is doing--girding for war

and whistling, while Lorca died and Picasso
on fire created the hips of Guernica.
Sometimes we forget the noose and its length--

how we are joined. We hang our souls
in windows prophets die for, playing
our parts at both ends, holding

our spotted coats in our hands.

(first published in The Literary Review, USA)


Wawel

Phil Boiarski



Five thousand decades have passed
since the dragon with a taste for virgins
was slain by Prince Krak. The jewels
of royalty and the chambers of the rich
rise above the cave where the bones
mounded before the open wound
in the earth. The stench of rotting
flesh and the fiery belches of
the beast, led the brave knight
deep within the bowels of
the hill, to slay the evil thing.
And while the mass is said
and the choir sings, the beast
awaits within. Where once
again it will awaken.


At Morskie Oko Lake, Zakopane

Christina Pacosz




It is a gray country
even when the sky is blue
and today it is raining.
Mist gathers itself
a quiet fist
clutching the mountains.
Nuns in gray habits
walk over gray rocks
circling the lake.
If this is too much gray
look at the trees, green
bodies, beds of moss
waiting, the small blue
eyes of niezapominakji*
watching.
The nuns have disappeared
and only the shore of the lake
the eye of the sea
is visible, a narrow
border of aquamarine
filled with trout flicking
tails in cold water
swimming in the only
sky there is.

* forget-me-nots

( Christina's book, This Is Not a Place to Sing, West End, 1987)

A Patriotic Song (1981)

Katarzyna Boruń-Jagodzińska


Maybe it was a dream,
maybe it didn’t exist,
though everyone remembers
how this country
lived and suffered and loved.
It was sung in the margins of letters,
in hundreds of poems.
From the very beginning
it was branded with ash.
Poland —
a word wilted
by familial warmth:
mother and father
waiting at the table
to break the Christmas wafer
with the son who never returned
from the war,
the daughter who loves carousing,
and beloved cousin who cleans houses
in a foreign land.
The heirloom rosebush,
packed carefully in straw,
rots from excessive warmth,
though with each passing year,
the winters here grow longer.

(translated in English by Karen Kovacik)